Archive for the ‘other jewelry’ Category

SF Open Studios with Metal Arts Guild Members

Friday, September 30th, 2011

artspan open studiosWhirlwind upon whirlwind! Seems like just yesterday I was at the ACC Fort Mason show in my new “garden” store of LEGO® wonder! Well, this weekend you can find me for the first time at Artspan SF Open Studios for the Mission District Weekend 1. Ten members of the Metal Arts Guild SF (included yours truly) have banded together in a great shop/gallery space in the Valencia St/18 St corridor run by Jeff Burwell of Burwell Arts. All of us are metal artists/jewelers/sculptors living in the city and making really fresh work. No where else in Open Studios are you going to see so much in one stop in one room!

daily candy logo

And even better, Daily Candy featured our group as the poster child for Open Studios in The Weekend Guide which came out yesterday. Check out the post. Couldn’t ask for better promo to peeps who live in the neighborhood!

Tonight, Friday, Sept 30 from 6-8pm is our Opening Reception, so this is a great chance to scope out our entire lines before we start selling like gangbusters this weekend! Everyone is welcome.

Artists are: Kelly Nedderman, Rebecca Deans, Jenny Reeves, Masami Kelly, Raissa Bump, me, Derek Duncan, Shana Astrachan, Jeff Burwell, Jenny Windler

Here are the details:
What: Open Studios with 10 Members of the Metal Arts Guild
Where:  724 Studios in the Mission
724 Valencia St @ 18th St (next to Mission Cheese), SF CA 94110  googlemap here
When:  Opening Reception Fri, Sept 30, 6-8pm
Sat, Oct 1, 12-7pm
Sun, Oct 2, 12-5pm

Also find our event on Facebook !

me and Rebecca Deans at Opening Reception

Live Podcast Interview on Metalsmith Benchtalk TODAY 3-4pm

Thursday, September 8th, 2011

whaley studiosVery exciting news — today me and fellow Co-President, Rebecca Deans, of the Metal Arts Guild will be interviewed on a LIVE PODCAST by Jay Whaley of Whaley Studios from 3-4pm. His show is Metalsmith Benchtalk  on Blogtalk Radio and I did a spot on his broadcast back in May during the SNAG conference in Seattle when I gave my Niche Marketing presentation. Today we’ll be talking about MAG’s 60th Anniversary events, specifically the Forging Communities Symposium coming up Nov 12 at the Oakland Museum of CA, as well as the 3 exhibitions surrounding the symposium.

Forging Communities Speakers

Jennifer Shaifer, Harriete Estel Berman, Garth Johnson

Joining us throughout the hour will be three of the symposium presenters: Jennifer Shaiffer (historian and gallerist, NYC), Harriete Estel Berman (artist, Professional Guidelines founder, ASK Harriete blog), and Garth Johnson (artist, educator, writer, ExtremeCraft.com).

If you would like to call in and say hi or ask a question, you can call: (646) 716-5718. Don’t worry if you can’t tune in live, it will be archived for future listening!
Go to: Metalsmith Benchtalk on Blogtalk Radio .

SNAG Seattle – So Many Shows!

Monday, June 13th, 2011
SNAG Seattle 2011 EXHIBITION CRAWL MAP

SNAG Seattle 2011 EXHIBITION CRAWL MAP

Seventeen shows were up and running for the SNAG Seattle conference (check out this map), can you believe it! We hardly made a dent in seeing them all, but made new friends along the way, and experienced some inspiring (and interactive) works, highlights from which are posted here.

Firstly, the geography show curated by Susan Cummins and Mike Holmes under the Art Jewelry Forum, in the conference hotel. A lovely show catalog is available for purchase online or at Velvet da Vinci.

tina wrath Wanderlux Souvenir brooch

Tina Wrath's Wanderlux Souvenir brooch, geography show

Bettina Dittleman

Bettina Dittleman, geography show

Mobile Canada:Bringing Contemporary Canadian Jewellery to You was a clever show across the street in the parking lot, all within the confines of a mobile home. Suzanne greeted guests and word on the street is that there may be a whole gaggle of RVs with “traveling” exhibitions for 2013 Toronto!

Mobile Canada show 

Annie Tung's flatware

Kelly Nedderman admiring Annie Tung's flatware

Mobile Canada

Mobile Canada 2011

Suzanne Carlsen's pendant

Suzanne Carlsen's pendant

Counterflux exhibition curated by Suzanne Ramiljak at G. Gibson Gallery- wonderfully large and unusual wearable objects; well displayed and styled. Great use of color on walls. I love that Christine Dhein’s circuit board breastplate was grouped with Kiff Slemonsdark pencil breastplate!

Counterflux show

Christine Dhein at Counterflux show

Kiff Slemons' Mourning Sun breastplate

Kiff Slemmons' Mourning Sun breastplate

Lori Talcot's Night Corsage

Lori Talcot's Night Corsage

 

 

 

ComLink: New Work: Jana Brevick solo exhibition at SOIL gallery was the most fun opening by far, as Jana encouraged people to put on her found object pieces for a personal photo shoot, she behind the camera. Ham bone time! See more images posted on her facebook. LOVE the display tools, literally wrenches attached to the wall and small clamps and styrofoam inserts for center displays.

Jana Brevick

Jana Brevick's recycled neckpiece & display

me in Jana Brevick's neckpieces

me in Jana Brevick's neckpieces

Jana Brevick's show 2011

Jana Brevick in action behind the camera

Pride of Paper:Kiff Slemmons and Arte Papel Oaxaca at 3 x 10 was BREATHTAKINGLY GORGEOUS – and even more amazing was having Kiff there to talk about the process and the work. Her styling of the show was impeccable and yet so simple. So much work over 10 years of collaborating with the artists from Oaxaca. The “Bones” table of all-white pieces was beautiful, very Louise Nevelsonesque. Read more about it in the current issue of Metalsmith Magazine.

Kiff Slemmons with Keith Lewis

Kiff Slemmons with Keith Lewis

Pride of Paper show "Bones" table

Pride of Paper show "Bones" table

Pride of Paper show

Pride of Paper show

Pride of Paper show

Pride of Paper show

Pride of Paper

Pride of Paper

 

 

 

 

 

 

Pride of Paper

Pride of Paper

The Dr. is In – Damian Skinner @ SNAG Seattle

Friday, June 3rd, 2011

Dr. Damian Skinner (editor Art Jewelry Forum blog, writer, curator) headed off the afternoon of SNAG Seattle Day 2, following the captivating talks by Glenn Adamson and Lola Brooks quite well with his “All the World Over: Ambitions of Contemporary Jewelry“. You may recognize him from The Pocket Guide to New Zealand Jewelry exhibition and catalog that had it’s US debut in 2010, or his various articles on artjewelryforum.org. In this presentation he quotes largely from Peter Dormer and Ralph Turner (writers of The New Jewelry: Trends and Traditions) on locality vs. universality of contemporary jewelry.
Europe vs USA This image says it all, I love how crude but effective it is. Basically, jewelry from Europe is regarded as the International standard for Contemporary Jewelry, whereas American jewelry is not held in such high esteem and  is by the rest of the world only referred to by locality as “American Contemporary Jewelry”. How do we feel about this? “Liberation occurs when you destroy the hierarchy”, Skinner remarks.
The Human Necklace In the “New Jewelry Movement” (in which we  find ourselves now) there is an ongoing critique of preciousness that allows for a deeper engagement with society. As with Australian jeweler, Roseanne Bartley, her “surface archeology” work repurposing found items, such as in her “Human Necklace” (photo, left), where people became the structure of jewelry shapes in public places. The notion of a jewelry piece solely existing for a small blip of time, only to live on in the photographic form, recurs often over the course of this conference.

Roseanne Bartley Seeding the Cloud
Roseanne Bartley’s Seeding the Cloud

Her “Seeding the Cloud” acts of walking about town, tools in hand, making jewelry from discarded materials she finds along the way, “demonstrates the potential of jewellery to counterbalance the increasing physical isolation of contemporary life in info-hubs” (craftUnbound.net). She is endearingly coined a “neighborly ornament”. This leading into my favorite quote by Damian, one that I truly believe and would like to see more of:

“The Greatest Art is created when there is no boundary between art and community.”

Lola Brooks – SNAG Day 2

Tuesday, May 31st, 2011

vintage ad of purses “I know Exactly how she feels”, stated Lola Brooks, collector/borderline hoarder of shiny vintage things and jeweler of steel/gold/stones. Over the course of her talk, “Love and Other Indoor Sports” (day 2) we got a sneak peak into her closet and drawers full of vintage sunglasses, jumpsuits, and wallets, as well as the lot of rose cut garnets that have come to distinguish her jewelry line.
vintage sunglasses lola brooks closet

For Lola, she finds “power in accumulation” and considers herself a magnet for things; the materials end up finding her rather than her seeking them out intentionally. In her work, ornament becomes the structure, as in the Vomit Bracelet. vomit bracelet
Even though she had written out her lecture and was reading from it, her skills as a storyteller kicked in and soon we were all drawn into her world, captivated. And following on the heels of Glenn Adamson’s killer lecture, it was remarkable how many intersects there were between their lectures.

Damian Hirst For the Love of God faceted steel balls
Smashed vintage cars and Damian Hirst’s “For the Love of God” 5o million pounds (100 million dollars) diamond and platinum skull, “the object I love to hate and hate to love” as Lola remarked. Thus began her obsession with diamonds and emulating them through faceting steel balls.  She takes it to the limit with her “32 Fuckin’ Balls” neckpiece, somewhat a caricature of her work, made for Sienna Gallery’s Masterpieces exhibition.

32 fuckin balls necklace

32 balls necklace

blood garnet heart Brooch

blood garnet heart Brooch

ivory rose with steel bows brooch

brooch

From the disco balls to ivory roses with steel bows, she is a prolific artist to say the least, and finds “necessity for making lots of things” as she finds necessity in accumulation.  lola brooks Roses Back
What you may not notice is that there are springs attaching the roses to the armature (see underside photo above), which causes an ever slight movement of the roses. After tiring of roses and bows, Lola turns to hearts, which may sound saccharine, but actually imbues a dark kind of sexy, especially after you hear her describe the process of carving hearts similar to “carving J-Lo’s ass and suddenly I became a believer [in carved hearts]“.

On Truth and Value
During the “Smaller conference experience” lunchtime discussion, Lola remarks that Truth is Plastic, and she focuses more on Authenticity in her work and in living her lifestyle. “I don’t always understand a work while I’m making it, often not until it is done”, and “I’m an incredibly intuitive maker”. She does employ studio assistants and does not apologize for having hired help, nor should she. How strange that some people don’t consider her a studio jeweler because of this fact; does studio jeweler by definition mean you have to make all the work with your own hands, and if so, how does this leave any room for growing one’s business? Lola proudly reveals that she cultivates special relationships with her assistants and that both parties benefit from the arrangement.
Value is subjective–value of her art work is purely subjective, in the “eye of the beholder”, whereas her fashion jewelry is priced differently.

freshNot only is she a studio jeweler, but also crosses over into the fashion world, as she has worked with celebrities, fashion designers such as Jay McCarroll (Project Runway Season 1 winner), consulted for TV show Queer Eye for the Straight Guy, and teaches at RISD. I’m very excited to see what she has chosen for the upcoming Metalsmith Magazine’s Exhibition in Print, on the theme of Fresh. Apparently she has spent the last year focusing on her writing and not as much on making, so we can look forward to more of Lola Brooks story telling.

Want to hear more Lola Brooks! Lucky for us in SF, she has agreed to be a panelist for the Metal Arts Guild of San Francisco‘s One-Day Symposium, Forging Communities, Nov 12, 2011. Come hear the discourse on What Success Looks Like in the Jewelry World Today.
Forging Communities symposium

SFMOMA Jewelry Trunk Show April 16

Wednesday, April 13th, 2011


SFMOMA Trunk-Show 2011 flyer

It’s been awhile, but I’ve been invited back (2 buyers later…) to show at the SFMOMA MuseumStore Jewelry Trunk Show and Sale! In conjunction with their Annual Member Appreciation Day, museum members will receive 20% off of purchases at this show and the MuseumStore. Come see my latest creations, classic favorites, and the ever elusive but oh-so-popular Windows Earrings in all lengths, in Iced and Bronze styles.

iced Window earrings

iced Window earrings

Would love to see your smiling faces this Saturday, April 16, from 10am-3pm

SFMOMA – Schwab Room in the museum atrium
151 Third St (@ Mission)  San Francisco

Other artists showing:
From the Bay Area: Rebecca Overman, Tina Frey, Marna Clark, Philippa Roberts
Southern CA: I. Ronni Kappos, Barbara de Jounge
International: Diana Schimmel, Dos Riberas, Tamara Lisenberg, Doris Vinas
Also: Tia Kramerr, Jenny Christiansen, Octavia Bloom, Victoria Bekerman
reware bracelets

See me at Knit One-One Craft Sale this Saturday

Wednesday, September 29th, 2010

K11 Craft sale flyerIt’s a non-stop fall season for me and my jewelry and workshop! This Saturday, Oct 2, from 10am-4pm I’ll be one of 12 artists selling work at The K11 Craft Sale over in Berkeley. K11 stands for Knit One One Studio which is normally a knitting studio/classroom and store run by Sile Convery. The Craft Sales are a monthly event, featuring different artists (this will be my first time showing here).  Sounds like it’s going to be a fun day, with refreshments provided for vendors and clients! Plus I’ve heard yummy things about Sweet Adeline Bakeshop which is a few doors down…

The other artists on board are: Koide Studio(ceramics), Jen Hewett Studio (printmaking/textiles), Hairphernalia (floral hairpieces), Fresh on Mondays (felted items), Clarine’s Florentines (florentines), HoneyComb Jewelry, Heathered, King Bag Company (recycled bags), Tinted Mint (eco friendly products), Peanoonies (vintage goods), Tiny Sparks Design (screen prints on wood).

halloween lego earringsI’ll have on hand some new merch such as Halloween earrings and minifig pendants for adults and kids, plus a ton more minifig earrings and slim pendants.aegean lego pendantjen in emiko-o reware jewelry

Here’s Jen, my awesome model from last week who I had a blast with photographing my work. She’s the new LEGO Girl Next Door, wouldn’t you say! She’s sporting quite a bit of new goods, including the minifig pendants, rainbow ss slim bracelet and the dreamy Aegean Limited Edition bracelet (inspired by my recent visits to Greece). Come to Berkeley and see for yourself!

aegean Limited Edition braceletcandee SS slim bracelet

COMING UP in OCT:
Oct 1, 6-8pm Opening Reception for The Plastic Show, Velvet da Vinci SF
Oct 7, 6-8pm: Accessorize with Toys Workshop at CA Academy of Sciences
Oct 24, 10am-5pm: Accessorize with Toys Workshop at East Bay Mini Maker Faire, Temescal

Workshop and Artist Reception at Green Zebra This Week

Tuesday, September 21st, 2010


green zebraCelebrate the Fall Equinox with us this Thursday (Sept 23), 11:30am-1:30pm as we bring Accessorize with Toys to Green Zebra for their Power Hour lunchtime event! Green Zebra Environmental Action Center is a great community resource for many of your eco needs. You may know them best by the great coupon book they publish, highlighting eco companies in the Bay Area. Recycle your batteries, bulbs, and come get valuable info on how you can lessen your carbon footprint.

recycled charm_brooch

projects made at SCRAP workshop

Why spend your lunch hour in the office? Come down to the Crocker Galleria, lower level (enter on Sutter Street side) and make jewelry with us: charm bracelets, expressive badges, necklaces, keychains! Super easy to get to: take Muni/Bart to the Montgomery St station, and the Galleria is on 50 Post @  Montgomery. Class fee is $10.

recycled toy brooch

brooch made at SCRAP workshop

Metal Arts Critique Collective Then on Friday, Sept 24, 4-7pm join us for our Artist Reception Happy Hour at Green Zebra, celebrating our recycled jewelry art show, “From Geekery to Regality: Beauty in Reuse”. My Metal Arts Critique Collective (M.A.C.) has been showing a selection of our recycled jewelry work in the window of Green Zebra for their Eco Fashion Month. Open your minds to the creative possibilities in circuit boards and recycled & familiar plastics.

Meet the artists, have a bite and drink, and peruse the selection of smaller, ready-to-wear jewelry for sale (bling yourself out for your dinner date!). Party ends at 7 (gates close then), so come early!

See more from M.A.C. on the web: http://critiquecollective.rewarestyle.com/

Accessorize with Toys Workshop @ Green Zebra
Thurs, Sept 23, 11:30-1:30pm
$10 class fee

From Geekery to Regality: Beauty in Reuse
Recycled jewelry by the Metal Arts Critique Collective
Sept 1-30 with Artist Reception Friday, Sept 24, 4-7pm

BOTH EVENTS HELD AT: Green Zebra in the Crocker Galleria
50 Post Street @ Montgomery, SF

Success at Miami University

Wednesday, February 10th, 2010

Miami University Art Museum banners What a full, fulfilling day at Miami University, Ohio! After 5 hours of driving through a typical NE Ohio snowstorm (well at least through Columbus), we arrived Tuesday to the picturesque town of Oxford, home of Miami University. Not so used to major snow down here, they had actually shut down campus early. I guess it’s all relative; seemed like a tame Syracuse winter day to me, but not everyone has had an arctic college experience.  Anywho, check out these street banners! That top image look familiar? Yes, it’s a closeup of my Duchess 2 lego necklace! Fantastic; I’ve already got a good word in to get one of those at the end of the show in July. Wouldn’t it make a wonderful tote bag, or even just hang in the hallway!!!

This morning’s workshop “Top 10 Tips for Post Grad Success” was a small but serious group of metals grad students (led by Susan Ewing), who were super attentive and eager for the info. I managed to cram my 4.5 hour workshop into almost 2 hours. Did a few less interactive segments and flew through the info. Gave them their Resource packet, updated with a Green section including Christine’s “Making Eco Friendly Choices” article from Art Jewelry magazine, May 2009.

Had a great discussion at lunch with Curator of Exhibitions Lena Vigna (soon to be Curator of Exhibitions at Racine Art Museum, WI!) and Associate Dean of Fine Arts and Metals Chair, Susan Ewing (talk about major multi-tasking in the workplace). She’s taking her students back to Prague with her this summer, those lucky devils, it sounds so inspiring (i want to go to there).

The Adornment and Excess Exhibition is really worth visiting Miami (wait til spring, though) and the Miami University Art Museum is quite the facility with a very gracious, welcoming staff and a HUGE permanent collection (Syracuse didn’t even have anything like it on campus). My pieces were displayed right up front along with looping digital images on the imac of people wearing my work.
My FIrst Royal Jewels Harriete Estel Berman's braceletsAcross from my work is Harriete’s set of 3 recycled tin bracelets: Prestige, Value, and Identity.
Meg DrinkwaterOne of my favs is a series of repurposed/transformed costume jewelry by Meg Drinkwater. She takes masses of pearls, vintage costume jewelry and encases them from behind in resin into solid, massive  necklaces. Makes me want to do more of my own Radical Jewelry Makeover!

Speaking of which, RJM has a presence in this show, smartly done with not only finished jewelry pieces from past RJMs around the country, but a huge wooden bin of “raw” materials (old junk jewelry) and a video installation with interviews from participants and organizers (see image below). And to my delight, Christina Miller, co-founder of Ethical Metalsmiths and the RJM was present at tonite’s lecture! She now resides in Oxford. Talk about small world! RJM is gearing up for Australia this summer! Check out the RJM blog for the latest updates!Ethical Metalsmiths Radical Jewelry MakeoverSo much smart work, I would be remiss not to mention the performance metalsmith, Gabriel Craig, who will be concluding the events at MU on Earth Day this April bringing his Pro Bono Jeweler interactive performance to the Shriver Center (student center). Here in the exhibit plays 2 of his street performances as well as some of the polymer clay “freebie” rings made during the event. Check out his blog, Conceptual Metalsmith to see his latest street video, The Gospel According to Craft.

Shari Pierce Cardboard Democracy

In the spirit of trash into treasure, the work of Shari Pierce and her Mi Casa Su Casa /Cardboard democracy series is a well-executed display. The larger than lifesize, recycled cardboard necklace hangs suspended in the middle of the space (begging the viewer to get as close as they dare) with large photographs on the wall behind of the environments where the materials were collected. Also, her colorful cardboard purses hang exposed on the opposite wall next to photos as well.

Shari Piere's Mi Casa Su Casa

This evening’s Sustainability and Creativity lecture was very well attended by architecture, sculpture, and metals students and staff. Lena Vigna began the evening with an overview of the Adornment exhibition and her process in curating the show. Mary Ben Boham (Dept Architecture) presenting 3 positions on the positives and pitfalls of trying to design sustainable buildings, bottom line being “How are People being served”? Rod Northcutt (Dept Sculpture) bringing the focus on sustainability of materials and as artists being conscious of our process. I spoke last, speaking to how I work as a recycling artist and my progression from using jewelry as an outlet of personal Expression, to sharing it as an Experience on a public level, to Community outreach.

To round off the evening’s discussion, Curator of Education, Cynthia Collins gathered us up for an intimate round table discussion, which was led by grad student Lisa Wilson, the opening question being “What is the creative person’s role in moving a community towards sustainability?” Is it a grass roots movement or does success come from the top down? All of the above, but how can we instigate change? What small step can each person do towards living a more sustainable lifestyle? Ironically, people mentioned San Francisco multiple times (not me, by the way) and the mandates being given to get residents to comply such as citywide composting, elimination of styrofoam and plastic bags in stores. Realistically, people need to be threatened with fines in order to bring about citywide compliance (and still I find myself constantly resorting the misplaced trash/recycling/compost at work and in the neighborhood). Cynthia made an astute remark that got everyone thinking: last year’s Federal Mandate for HD TV. When is the last time that something was required by everyone on the Federal level? And to boot, there were no riots in the street, rather lots an lots of CRT screens and electronic waste. What does that say about our culture? It would be my wish to see recycling become a federal  mandate as well as federal subsidized organic farms. I’m curious, if people were asked what they value more their TV or  their health and grandchildren’s health, what would the nation as a whole choose?

Transmutations: Material Reborn – Houston

Thursday, January 28th, 2010

transmutations_HCCCWell, well, I’ve been a bit slow on the uptake for jumping into the new year; all that sleep during Christmas and New Years is quite addictive and hard to give up so quickly. How did a month go by already (answer: many rainy nights cozy in bed ravishing the Twilight series….)?! Time to get back on the art train before laziness slips in. So many shows this past fall/winter, I’ve missed a few in these posts; catch-up time.

So, one of the most recent exhibitions happening now is Transmutations: Material Reborn at the Houston Center for Contemporary Craft (image above is from HCCC website). Curated by Susan Sloan, the artists were selected from the book she juried, 500 Plastic Jewelry Designs which was published this past fall by Lark Books. Lovely book and I only wish I could see the show in Houston. Luckily many other metalsmiths will get the chance to see it during the SNAG “going to Extremes” conference in March.

UPDATE:  the Houston Press posted this on Feb 5, 2010
Houston Press

eventful houston Transmutations

eventful houston Transmutations

In the meantime, I’m enjoying seeing my LEGO necklaces images used as PR for the show. Too bad the red and white Cartier Blanc is not in the show after all (it sold during Sienna Gallery’s show So Fake They’ll Think It’s Real).

HCCC website

HCCC website

Here is the blurb about the show from HCCC’s site:
Curated by celebrated jeweler, Susan Sloan, TRANSMUTATIONS:  Material Reborn showcases 28 international jewelry artists who transform materials, such as resin, latex, rubber, vinyl, and thermoplastics, into outrageous jewelry and wearable art.  The exhibition includes pieces meant for everyday adornment as well as those that make a larger-than-life statement—some of which are created in combination with more conventional materials, such as gold, silver, pearls, and gemstones.  Stop by the Artist Hall at HCCC to see this stunning array of wearables made from plastic Lego toy parts, precious materials, and found objects!”

Modern Luxury Houston

Modern Luxury Houston