Posts Tagged ‘Harriete Estel Berman’

Live Podcast Interview on Metalsmith Benchtalk TODAY 3-4pm

Thursday, September 8th, 2011

whaley studiosVery exciting news — today me and fellow Co-President, Rebecca Deans, of the Metal Arts Guild will be interviewed on a LIVE PODCAST by Jay Whaley of Whaley Studios from 3-4pm. His show is Metalsmith Benchtalk  on Blogtalk Radio and I did a spot on his broadcast back in May during the SNAG conference in Seattle when I gave my Niche Marketing presentation. Today we’ll be talking about MAG’s 60th Anniversary events, specifically the Forging Communities Symposium coming up Nov 12 at the Oakland Museum of CA, as well as the 3 exhibitions surrounding the symposium.

Forging Communities Speakers

Jennifer Shaifer, Harriete Estel Berman, Garth Johnson

Joining us throughout the hour will be three of the symposium presenters: Jennifer Shaiffer (historian and gallerist, NYC), Harriete Estel Berman (artist, Professional Guidelines founder, ASK Harriete blog), and Garth Johnson (artist, educator, writer, ExtremeCraft.com).

If you would like to call in and say hi or ask a question, you can call: (646) 716-5718. Don’t worry if you can’t tune in live, it will be archived for future listening!
Go to: Metalsmith Benchtalk on Blogtalk Radio .

Top 5 Marketing Tips

Tuesday, July 19th, 2011
Christine Dhein and emiko oye at SNAG

Christine Dhein and emiko oye at SNAG

A couple of months ago I was invited to give a short presentation on Niche Marketing for the SNAG (Society of North American Goldsmiths) Conference in Seattle, which was a great honor and quite the thrill! The audio and digital presentation were recently released by SNAG so that those were unable to attend the conference could still experience the Professional Development Series of that Saturday, on Niche Marketing and Professional Photography. This week I’ll be breaking down my Top 5 Marketing Tips in the next few blog posts. You can catch a snippet of what I’ll be talking about in today’s Ask Harriete, the Professional Guidelines blog by Harriete Estel Berman.

Here are my Top 5 Marketing Tips that I’ll be discussing:

1. Professional Quality Photography

2.  Take Risks: Don’t Get STUCK: Balance

3. Take Note and Be Accessible

4. Be Ready Set GO!

5. Get Involved

Niche Marketing on Slide Share

Listen and see my presentation in the video link below as well as the other Niche Marketing Presenters, Hilary Pfeifer and Deb Stoner, through Slide Share. Thanks to Harriete for doing such a superwoman job of sound editing!

For the “cliff notes” version, read the blogposts from the Professional Development Seminar 2011 on tumblr by Tara Brannigan.
Stay tuned for my next posting on Tip 1: Professional Quality Photography.

tip4: Ready Set GO

Manufractured Forward show at CCA for Craft Forward

Monday, March 28th, 2011
Manufractured Forward

Manufractured Forward installation image

This week is the double reception for the Manufractured Forward show at CCA’s Oliver Art Center: March 30, 5:30-8:30pm is the artist’s reception for the general public; April 1, 3-4pm is the closing reception for the Craft Forward conference attendees. I’m so honored to have been invited by curators Steven Skov Holt and Mara Holt Skov to be among 7 other extra talented local artists. The exhibition was first put together for the Museum of Contemporary Craft in Portland Oregon in 2008, and had an accompanying book, Manufractured: The Conspicuous Transformation of Everyday Objects.

Other artists in the show are: Michele Pred, Harriete Estel Berman (my hands still ache from assembling her grass/gras’/ installation, plus see my costume handiwork in the straight jacket in Measuring Compliance), Mitra Fabian, Liz Hickok (friend and jello artist/photographer!!!), Andy Diaz Hope, Laurel Roth (fancy panty liners!) and Thomas Wold.

born again virgin by Laurel Roth

born again virgin by Laurel Roth

Harriete Estel Berman's Measuring Compliance

Measuring Compliance by Harriete Estel Berman

Liz Hickok's Alamo Square

Alamo Square by Liz Hickok

Mitra Fabian's Room for Recovery

Room for Recovery by Mitra Fabian

Thomas Wold's Tall blond secretary 2

Tall blond secretary 2 by Thomas Wold

Michele Pred's Fear Culture

Fear Culture by Michele Pred

Andy Diaz Hope's day

day by Andy Diaz Hope

Mara notes that notes that, “Increasingly, artists, craftspeople, and designers from around the world are gathering familiar mass-produced goods as their new raw materials, using both pristine products and castoffs to create works that are completely unexpected, while at the same time surprisingly familiar. The result is a collection of pioneering work from a wide range of practitioners who combine the industrially uniform with the uniquely handmade. “ She elaborates on Manufractured Forward, saying it “ is an opportunity to bring together a provocative group of Bay area artists whose work expands the philosophy and aesthetic practice of Manufractured into conceptual, political, domestic, environmental and social realms. Each and every one of the projects in Manufractured Forward stands, paradoxically, as both a warning about the excesses of our consumer culture and same time as a beacon for a new kind of boundless creativity.”

winters brush
I’ve created some new works for this show, beginning my Museum Series pieces, inspired by artwork and exhibitions seen at local museums. Winter’s Brush was informed by The Russian Bride’s Attire (1889) by Konstantin Moakovsky, an extremely large oil painting at the Legion of Honor which I came to know through Pulp Fashion: The Art of Isabelle de Borchgrave show that is up currently. This neckpiece utilizes recycled makeup brushes,LEGO and rope; silk cording, fine and sterling silver, coated copper wire.
dawning 2
Dawning II is the other new work, second in Dawning collection, based on Dawn’s Wedding Feast (1959) by Louise Nevelson, a room-sized installation of recycled wood, which I was lucky to see at the De Young museum a few years ago. Materials in this neckpiece are recycled LEGO,Connectix and electrical cable, paint, fine and sterling silver.

Success at Miami University

Wednesday, February 10th, 2010

Miami University Art Museum banners What a full, fulfilling day at Miami University, Ohio! After 5 hours of driving through a typical NE Ohio snowstorm (well at least through Columbus), we arrived Tuesday to the picturesque town of Oxford, home of Miami University. Not so used to major snow down here, they had actually shut down campus early. I guess it’s all relative; seemed like a tame Syracuse winter day to me, but not everyone has had an arctic college experience.  Anywho, check out these street banners! That top image look familiar? Yes, it’s a closeup of my Duchess 2 lego necklace! Fantastic; I’ve already got a good word in to get one of those at the end of the show in July. Wouldn’t it make a wonderful tote bag, or even just hang in the hallway!!!

This morning’s workshop “Top 10 Tips for Post Grad Success” was a small but serious group of metals grad students (led by Susan Ewing), who were super attentive and eager for the info. I managed to cram my 4.5 hour workshop into almost 2 hours. Did a few less interactive segments and flew through the info. Gave them their Resource packet, updated with a Green section including Christine’s “Making Eco Friendly Choices” article from Art Jewelry magazine, May 2009.

Had a great discussion at lunch with Curator of Exhibitions Lena Vigna (soon to be Curator of Exhibitions at Racine Art Museum, WI!) and Associate Dean of Fine Arts and Metals Chair, Susan Ewing (talk about major multi-tasking in the workplace). She’s taking her students back to Prague with her this summer, those lucky devils, it sounds so inspiring (i want to go to there).

The Adornment and Excess Exhibition is really worth visiting Miami (wait til spring, though) and the Miami University Art Museum is quite the facility with a very gracious, welcoming staff and a HUGE permanent collection (Syracuse didn’t even have anything like it on campus). My pieces were displayed right up front along with looping digital images on the imac of people wearing my work.
My FIrst Royal Jewels Harriete Estel Berman's braceletsAcross from my work is Harriete’s set of 3 recycled tin bracelets: Prestige, Value, and Identity.
Meg DrinkwaterOne of my favs is a series of repurposed/transformed costume jewelry by Meg Drinkwater. She takes masses of pearls, vintage costume jewelry and encases them from behind in resin into solid, massive  necklaces. Makes me want to do more of my own Radical Jewelry Makeover!

Speaking of which, RJM has a presence in this show, smartly done with not only finished jewelry pieces from past RJMs around the country, but a huge wooden bin of “raw” materials (old junk jewelry) and a video installation with interviews from participants and organizers (see image below). And to my delight, Christina Miller, co-founder of Ethical Metalsmiths and the RJM was present at tonite’s lecture! She now resides in Oxford. Talk about small world! RJM is gearing up for Australia this summer! Check out the RJM blog for the latest updates!Ethical Metalsmiths Radical Jewelry MakeoverSo much smart work, I would be remiss not to mention the performance metalsmith, Gabriel Craig, who will be concluding the events at MU on Earth Day this April bringing his Pro Bono Jeweler interactive performance to the Shriver Center (student center). Here in the exhibit plays 2 of his street performances as well as some of the polymer clay “freebie” rings made during the event. Check out his blog, Conceptual Metalsmith to see his latest street video, The Gospel According to Craft.

Shari Pierce Cardboard Democracy

In the spirit of trash into treasure, the work of Shari Pierce and her Mi Casa Su Casa /Cardboard democracy series is a well-executed display. The larger than lifesize, recycled cardboard necklace hangs suspended in the middle of the space (begging the viewer to get as close as they dare) with large photographs on the wall behind of the environments where the materials were collected. Also, her colorful cardboard purses hang exposed on the opposite wall next to photos as well.

Shari Piere's Mi Casa Su Casa

This evening’s Sustainability and Creativity lecture was very well attended by architecture, sculpture, and metals students and staff. Lena Vigna began the evening with an overview of the Adornment exhibition and her process in curating the show. Mary Ben Boham (Dept Architecture) presenting 3 positions on the positives and pitfalls of trying to design sustainable buildings, bottom line being “How are People being served”? Rod Northcutt (Dept Sculpture) bringing the focus on sustainability of materials and as artists being conscious of our process. I spoke last, speaking to how I work as a recycling artist and my progression from using jewelry as an outlet of personal Expression, to sharing it as an Experience on a public level, to Community outreach.

To round off the evening’s discussion, Curator of Education, Cynthia Collins gathered us up for an intimate round table discussion, which was led by grad student Lisa Wilson, the opening question being “What is the creative person’s role in moving a community towards sustainability?” Is it a grass roots movement or does success come from the top down? All of the above, but how can we instigate change? What small step can each person do towards living a more sustainable lifestyle? Ironically, people mentioned San Francisco multiple times (not me, by the way) and the mandates being given to get residents to comply such as citywide composting, elimination of styrofoam and plastic bags in stores. Realistically, people need to be threatened with fines in order to bring about citywide compliance (and still I find myself constantly resorting the misplaced trash/recycling/compost at work and in the neighborhood). Cynthia made an astute remark that got everyone thinking: last year’s Federal Mandate for HD TV. When is the last time that something was required by everyone on the Federal level? And to boot, there were no riots in the street, rather lots an lots of CRT screens and electronic waste. What does that say about our culture? It would be my wish to see recycling become a federal  mandate as well as federal subsidized organic farms. I’m curious, if people were asked what they value more their TV or  their health and grandchildren’s health, what would the nation as a whole choose?

Adornment and Excess exhibit and Lecture at Miami University

Thursday, February 4th, 2010

miamiU_logoYep, next week I head back to the motherland Ohio for a special art-filled, emiko-o day at Miami University Art Museum in Oxford. A few weeks ago was the opening for the exhibition Adornment and Excess curated by Lena Vigna. The show runs through July 10 and is part of Luxury, Consumption & Excess, a larger suite of exhibitions comprised of both historical and contemporary objects that investigates the socio-cultural relationship between material goods, wealth and class. Some of My First Royal Jewels will be on display, as well as work by Harriete Estel Berman, Francesca Vitali, Kathy Buszkiewicz, Gabriel Craig, Anya Kivarkis, just to name a few.

exhibition announcement

exhibition announcement

Earlier last year, Lena co-authored with Namita Gupta Wiggers the article Mining History: Ornamentalism Revisited for Metalsmith Magazine, in which my Queen Margherita was the title image. I caught up with Lena at the recent American Craft Conference in Minneapolis last fall in the midst of my blogging for SNAG, and offered to visit during the run of the show.

Lo and behold she invited me to participate in a special round table discussion on Creativity and Sustainability that she is moderating Feb 10th, 6:00-7:30pm. Professors Mary Benedict Bonham (Dept Architecture) and Rodney Northcutt (Dept Art) will be speaking as well as Graduate Student Lisa Wilson. I’m excited to bring my experiences to the table! The event is open to the public, so please come if you’re in town.

the miami student feb 1 2010

Check out this article by Deniz Nural in Feb 2nd issue of The Miami Student (online and print) about the exhibition – my necklaces are in the accompanying photo. Can’t wait to see the show!

That’s All Folks!

Thursday, October 22nd, 2009

Well that’s it on my end blogging for the American Craft Council 2009 Conference, Creating A New Craft Council. Much thanks to SNAG for trusting Harriete Estel Berman and I in reporting via blog fashion for the SNAG membership and community at large. Also thanks to Object Fetish for promoting our endeavors.

TIP: Listen to interview with SNAG’s Executive Director, Dana Singer on blogtalkradio.com TODAY, Thursday Oct 22 @ 3pm.

Quote by Faythe Levine

Quote by Faythe Levine

This was an energized crowd that has a lot more to talk about now! I urge all attendees to bring these conversations home to your own communities, physical and virtual,  and continue the dialogue about Craft in the 21st century. Ask the hard questions, practice Tough Love.

What do you want to see happen in Craft’s near future?
What actions can we start to take to affect change?

PSST…Want to get in on the conference buzz? Wait no longer and sign up for SNAG’s 2010 Conference, Going to Extremes, March 10-13 in Houston TX.

ACC 09 Sat PM: Garth Clark

Wednesday, October 21st, 2009

Creating a New Craft Culture SAT 3 PM
The Case for Conservatism with Garth Clark

I apologize for skipping over some of the weekend’s presenters; you can catch more on Natalie Chanin, Robin Petravic, Julie Lasky, and Lydia Matthews on Harriete’s blog. I may do a sound-bites post at the very end of my ACC conference reporting to include some of these folks.

Garth Clark

Garth Clark

But time is of the essence and I’m sure you’re all chomping at the bit to hear the dirt on Garth Clark‘s presentation, the title of which is elusive and a bit dull. He admitted to being a bit confused as to why he chose “The Case for Conservatism” title 9 months ago.

If you’ve done your homework in listening to (or attended) Garth’s previous controversial talk at the Museum of Contemporary Craft in Portland, OR, “How Envy Killed the Crafts Movement” (hear the podcast on MCC‘s site in 2 parts, or order the transcription online through MCC), then you will have already heard the paper he read to us, “Palace and Cottage”. In the paper he urges craft makers to return to a cottage industry/grass roots model, to rebuild it from the bottom up and address social issues. He called out the classism and elitism that has been brewing between ACC and the “Craft Nation” as he refers to it. And calls out ACC on the conference’s theme, bemoaning, “Why are we looking for a NEW craft culture?” that it’s “ludicrous to be looking for something over the hill” or to “create a new Bubble” in today’s ecomony. No holds barred on accusing ACC of floundering purposeless and missionless for the last decade. I’ll admit that up until now I didn’t consider ACC anything more than a magazine, an archive, and craft shows; but there are glimmers now that it can have a new life and purpose if the desire and drive are there.

ON BURNING MAN

Burning Man

Burning Man

Garth cracked me up when he opened his talk about his trip to Burning Man and how he lost 10 lbs. of discarded cynicism towards craft. How incredible it was be there and experience the endless amount of amazing craft being made without [financial] agenda, from fire-breathing dragon cars to structures made from repurposed materials  (my favs have always been the Temples made from wooden puzzle refuse, see below). “I believe in a Craft Nation“, he said, but admitted that an idealized, anti-money, communal lifestyle is of course not realistic in a market-driven, capitalistic economy. He did relate BM to the DIY culture (naturally there are many cross-over groups in this comparison) in how both “take us back to the rituals of daily life; a life experience…we’ve turned craft into a gallery experience (he admits to playing a role in that during the 80s bubble).” Best to “keep the boundaries open and not be hostile“, for the DIY movement is “transient, a youth expression and certainly not a threat to the craft community at large“. Yes, maybe if we say this enough times, it will finally sink in….

Temple of Joy (photo: Maurice Fitzpatrick

Temple of Joy (photo: Maurice Fitzpatrick

THE SOLUTION
What is the next step, what can we do to Save Craft? Garth suggests Art Advocacy at the Federal level, and sooner rather than later before the federal monies are bled dry. Yes, lobbying is messy, expensive, and takes lots of organization and commitment, but we have to ask ourselves the greater question of “Can we afford to [continue to] go unrepresented [in government]?” Not only getting funding for organizations and communities, but for more protective legal rights, tax issues and ways to make running a craft studio a more viable lifestyle.

An effective advocacy model to study is what Western North Carolina and the Center for Craft, Creativity, & Design did to help save craft in that region and give craft a voice in state government. The power of the collective does work. A leader at CCCD suggest we “challenge others to step out of their studios and get involved in community.”

The great thing about Garth’s talks is that they get people riled up about something enough to continue the discussion in the outside world.  I’m a big believer in Tough Love; criticism may be painful while it’s happening, but if it’s coming from a place of genuine concern it is often just what the doctor ordered: a catalyst for change.

ACC 09 Sat AM: Rob Walker mediates

Wednesday, October 21st, 2009

Creating a New Craft Culture SAT 8:45 AM
Morning Keynote: Handmade 2.0 with Rob Walker

Rob Walker brooch by Harriete Berman

Rob Walker brooch by Harriete Berman

Another major reason why I plunked down serious $$$ to come to this conference: to meet Rob Walker, author of Buying In: The Secret Dialogue Between What We Buy and Who We Are (2008), and a contributing writer and columnist of Consumed for The New York Times Magazine. I had imagined him to be a hearty, super forthcoming older New York type man, but boy was I way off course. A wiry, quiet guy, much more Portland Oregon. He and Harriete Estel Berman have been in discourse (he interviewed her for his murketing.com blog–check the post; she also made his nametag in the image above), so we had the pleasure of sitting with him in the back of the room for the Friday morning presentations.

Harriete Berman & Rob Walker

Harriete Berman & Rob Walker

His lecture was introduced as being about How Craft fit into this New Marketplace and the Broader Consumer Culture. His first remark was “I’m not sure there is a SINGLE craft culture, but craft CULTURES…the broad idea of craft is up for grabs, which is not a bad thing, it’s a good thing.” He went on to talk about his interest in the tensions of the marketplace and contradictions in consumers, like how people want to feel unique yet be a part of something bigger, and that the consumer demands the very best when they really demand the cheapest. What it really boils down to is “Am I getting my money’s worth?”

Again the issue of Quality, except in this economy quality has been trumped by Thrift and Frugality, as stated by the trend industry. Rob is quite the comedian and the mediator, as he knew from the Friday talks that we can be a touchy crowd, he often put up the slide of his super cute dog since “dogs put people in better moods” (strangely enough, this move was done by a few other presenters later on). Really though, speaking to his mediator role, his talk was perfect to start us all on the right foot for the day, as he presented a solution: it’s “good to avoid hard and fast definitions of craft, because otherwise it moves toward Exclusivity. Thus it’s a Good Time to be INCLUSIVE.” Insert ripple of applause.

ON NEW WAVE 2.0
I like this term for Indie Craft, New Wave 2.0 (reminds me of my favorite rock bands)–Rob brought to light a great observation of how supportive the indie community is towards each other, breaking the tension of Urge to Compete and Urge to Cooperate. This is something that has always struck me as well, the general open arms welcome of the makers I meet at MakerFaire and Renegade Craft Fair. But I don’t see that much of a difference in the metals community in the terms of inclusivity and sharing of information. I have remarked to students and emerging artists of how lucky we are to be a part of a creative community that helps each other for greater good of the field. It’s not cut-throat like advertising or high fashion.

THE IDEA OF STORY
Turns out that while Friday’s theme was Quality, Saturday’s theme is Story. Story is what differentiates mass produced products from craft. People value the story of the maker, the process, the concept of a piece and that’s why they shell out a little extra dough and energy to own craft. However, Rob gives it a new spin by saying, “the mistake people [i.e. makers] make is thinking the most important story is their own story but it isn’t…best when your story is relevant to others’ lives“, the story of the person you’re selling to. True, as artists we get a little tunneled visioned in our making and thinking it’s all about us, but I’ve found that my most successful pieces, whether it’s production work or exhibition pieces are the ones in which springboarded peoples’ personal experiences and nostaglia. And it’s this engaged feedback from people that motivates me to continue to make with this idea of story in mind.

Rob urges us to consider accepting multiple versions of Craft, and in doing so, become a bigger voice in the marketplace. To strive to understand each other and find common ground, and not expect the public to accept a “proper” definition of craft. Insert loud applause.

See Rob’s follow-up post here.
See what Harriete had to say here.

Live from Minneapolis–Creating a New Craft Culture!

Thursday, October 15th, 2009
LEGO blog pin for conference

LEGO blog pin for conference

Well, almost Live from Minneapolis; heads up reware fans, it’s time for me to blog another amazing craft conference for SNAG starting this Friday for the American Craft Council’s “Creating a New Craft Culture.” A much shorter, but still as intensely packed line-up of speakers from Oct 16-17, culminating in a Saturday night banquet (we’ll see if the  ACC attendees are as fun as the SNAG conference folks….).

SNAG home page

SNAG home page

Check out the SNAG home page and on the right hand column in “Announcements” is a link to the ACC Bloggers, meaning me and Harriete Estel Berman. We’ll try to keep it as live as possible, so stay tuned!

ACC 09 logoSo what’s the big deal about the ACC conference, you ask? Well here’s just a few names in the lineup and see for yourself:
Garth Clark (craft critic and curator), Rob Walker (NY Times columnist & author of “Buying In”), Faythe Levine (director of “A Handmade Nation”), Panel discussion led by Namita Gupta Wiggers (Museum of Contemporary Craft, Portland) on internet marketing, featuring CEOs Lisa Bayne of Artful Home and Maria Thomas of Etsy. Plus many more, but those are the ones that convinced me that flying to MN at the start of winter was a good idea. And this from a gal who’s sworn off snow…. Read more about the speakers, program and blog articles related to on the ACC site.

Just finished unpacking and repacking, having returned from a whirlwind month in NYC, London, and Greece. More next week about the cool UK jewelers, London exhibitions, as well as my talks at Syracuse University (my Top Ten Tips for Post Grad Success will be expanded upon here soon, promise) and at Museum of Arts & Design, NYC. I’m such a tease, I know.

Must go and pack my face mask for today’s many airplanes, and maybe nap….

Workshop & Lecture at Syracuse

Sunday, September 6th, 2009

Top 10 Tips for Post Grad SuccessThis coming Thursday, Sept 10 I will be back at my alma mater Syracuse University (it’s been over 12 years!) to do my Top Ten Tips for Post Grad Success workshop for the Jewelry & Metalsmithing Dept, plus give an evening artist talk at 7pm. The workshop is only for students, but I believe the artist talk is open to the public. The talk will be held at the Comart facility at 119 Comstock Ave, Room 022 (see poster below).

emiko SU poster

emiko SU poster

Top 10 Tips for Post Grad Success--30 second commercialI’m super excited to share my decade+ of real world experience with the students, as I often hear that Professional Development is not covered in the classroom and SHOULD be. The Professional Guidelines (co-sponsored by SNAG, Harriete Estel Berman, chair) is definitely going to be an underlying thread to the afternoon, plus interactive activities, worksheets, demos. Get ready for brain explosion!
Highlights from the lecture will be posted on this blog in the weeks ahead–so stay tuned!

oye_blue steel necklace

LEGO Blue Steel Necklace and domino bracelet

The evening lecture will focus on my work from the last 4 years, mostly the LEGO series, so if you’re in the area, bring your buddies along for a trip down brick geek lane…..